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Next up, take a look at the logos for Swallowing the Earth [地球を呑む] (1968-69), Buddha [ブッダ] (1972-83), and Ayako [奇子] (1972-73).
Again, three very different stories reflected in their logos. Swallowing the Earth [地球を呑む] portrays the feeling of frantic energy being barely contained, while the austerity and seriousness of Tezuka’s Buddha [ブッダ] almost feels chiseled out of the stone. Finally, the tight, thin but untidy lines of Ayako [奇子] exemplifies the corrupt underbelly of a family trying to save face.
![tezukainenglish:
Next up, take a look at the logos for Swallowing the Earth [地球を呑む] (1968-69), Buddha [ブッダ] (1972-83), and Ayako [奇子] (1972-73).
Again, three very different stories reflected in their logos. Swallowing the Earth [地球を呑む] portrays the feeling of frantic energy being barely contained, while the austerity and seriousness of Tezuka’s Buddha [ブッダ] almost feels chiseled out of the stone. Finally, the tight, thin but untidy lines of Ayako [奇子] exemplifies the corrupt underbelly of a family trying to save face.](http://24.media.tumblr.com/tumblr_mc251ewOdX1rbye5lo1_1280.jpg)
